O Katulu vemo zelo malo zanesljivega in celo večino tega je treba razbrati iz njegovega lastnega literarnega dela. To je vedno tvegan pristop, ki mu kritika danes večinoma nasprotuje (četudi je kritika vedno spremenljiva in znaki teh sprememb so že v zraku). Toda po drugi strani vemo kar precej o zadnjem stoletju rimske republike, o času torej, v katerem je Katul preživel svoje kratko, a intenzivno življenje, in o številnih javnih osebnostih, tako iz sveta književnosti kot politike, ki jih je (...) štel med svoje prijatelje ali sovražnike. Tako kot Byron, ki je bil Katulu v nekaterih pogledih podoben, se je gibal v krogih visoke družbe, imel je radikalna stališča, ne da bi se aktivno politično udejstvoval, ter je pisal poezijo, ki daje vtis, da je nastala kot odziv na družbeno dogajanje, literarne tokove ali zasebne škandale takratne aristokracije. (shrink)

SinceDaphnis and Chloeis a work of fiction, modern criticism has paid little attention to the topographical details of Lesbos which Longus scatters through his work. Today a preoccupation with biographical or topographical realism in literature is out of fashion, and Longus's world has in any case been described, by one of his most percipient modern critics, as ‘un monde des plus irréels’. Yet just as Longus's women reveal a striking blend of fictional romance and social realism, so the background to (...) his narrative, however much adorned with items of baroque fancy, nevertheless remains solidly based on the geography and ecology of Lesbos itself. The cave of the Nymphs, with its grotto, its spring, and its clutter of statues, may derive from the pastoral property-closet; but Longus's description of Mytilene agrees with those given by Strabo and Pausanias, and many other details—the trailing vines, the wine, the flourishing orchards, the prevalence of hares for hunting—suggest familiarity with the terrain. The description in the proem of the grove of the Nymphs, thick with flowers and trees and watered by a single spring, at once calls to mind the site of the great temple at Mesa, in the Kalloni plain. Most striking of all, since often used as evidence for Longus'signoranceof Lesbos, is his vivid description of a heavy snowfall, much at odds with later travellers' accounts of the climate's perennial mildness. But in the winter of 1964, when I was living on the island, snow lay three feet deep in the chestnut forest above Aghiassos, while Methymna was icebound, with frozen taps and sub-zero temperatures, for ten days, so that all the eucalyptus trees outside the schoolhouse died. The worst winter in living memory was that of 1953/4; the mountains are frequently snowbound. Longus, like Alcaeus, who also describes such conditions, knew what he was talking about. (shrink)

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age. A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and (...) other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture. History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas—they are a welcome beginning to the reexploration of a fascinatingly complex age. (shrink)

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age. A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and (...) other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture. History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas—they are a welcome beginning to the reexploration of a fascinatingly complex age. (shrink)

Paul Cartledge, The Greeks: Crucible of Civilization, TV Books, ISBN - 9781575000930.

Some time ago I had a shock. I was reading, in the Mathematical Gazette for March 1931, Sir A. S. Eddington's presidential address to the Mathematical Association in 1930. And quite suddenly I came on the statement that the number of protons in the universe is either 7 or 14 with 78 noughts after it. My breath was taken away. Readers of R. L. Stevenson's story, Providence and the Guitar, will remember the maiden lady who, after hearing what the Commissary (...) said when he was woken up in the night, felt her maiden modesty so outraged that she doubted if she ranked any longer as a maiden lady. I felt just like that. I felt that my philosophic modesty had been so outraged that I doubted if I ranked any longer as a humble student of philosophy. Sir Arthur has certainly not counted them. Then how in the world does he know that they are what he says they are? (shrink)

The two books under review are both edited collections of essays by some of the most serious scholars internationally concerned with Marx’s method in Capital and related texts. Essays in both books share an emphasis on the ‘openness’ of Marx’s texts which were extensively revised both by Marx in his own lifetime and in the editing performed by Engels. The review engages critically with contributions in both volumes with respect to ‘value-form’ approaches to Marx’s method. It highlights some of the (...) differences of approach between the various contributors which are not always apparent in the texts themselves. (shrink)